(By the way: this trick of dividing difficult lines into several sections doesn’t only apply to eyelids - any line can be pre-sketched in this way.) The lower eyelid can also be divided. This trick will help: divide the upper eyelid into 3 sections. This is because even a very slight deviation of this line can completely transform the expressions of the face. Let's look a bit more closely at the two U’s.Įven experienced drafters often take a moment to mentally plan before drawing the line of the upper eyelid in an expert sweep. In principle, the edges of our eyelids are shaped like two flattened U’s turned inward toward each other. What we are referring to is actually the opening through which a part of the eyeball peaks out - or the space between the edges of two eyelids. Next, we will look at the shape of what we artists actually mean by the "eye". the pupil is no longer centered in the iris, but moves a bit towards the center of the eye.the outward curvature of the iris becomes more pronounced as it moves to the side.the iris becomes narrower, more elliptical.Notice what happens to the iris and pupil: The picture shows the eye turned in three directions. That's why when an eye looks to the side, you’ll move the pupil a little bit towards the center of the eye. It is centered behind the iris lens, instead of on top of it. Technically, the pupil is not actually a black dot, but a small hole through which light enters the eyeball. But, the farther the eye is turned, the more prominent this iris “bump” becomes. When we draw an eye from the front, we don’t need to worry about this detail. Rather, it is raised a bit like a contact lens would be. In addition, the iris is not painted flat onto the eyeball. The size of the pupil varies from person to person, and it also depends on the light situation and the mood. Viewed from the front, the iris is about half the size of the whole eyeball. Let's keep that in mind as we explore the next steps. And if we look closer, it becomes obvious that cartoonists have given a lot of thought to the shape of the eyes - even if they choose what at first appears to be a simple form of representation. There’s good reason that this basic type of eye representation is a cartoon, comics, and animation classic: These cartoon eyes can portray a pretty wide range of emotions. We soon realized that downward pointing eyelids tend to look angry or evil, and upward pointing eyelids tend to look sad or meek. So, we added an upper eyelid in the eye circle shape. As a next step, we intrepid illustrators felt like we needed to express emotions through the eyes. This abstract representation actually sums up pretty precisely what eyes are all about: They are two spheres and each sphere has a pupil indicating the direction of vision. After a few attempts, it probably turned into two circles with dots in the middle. From the side, the shape is like a curly triangle.Everyone who has ever painted a face before has probably started by putting two dots or strokes for the eyes. I like to draw them blurry as if they are out of focus. If the lashes are long and curl up enough to be seen as individual lashes, still try to simplify them rather than drawing each lash. From the front, the dark shape of the lashes will merge with the dark shadow under the top lid. I like to group them together into chunks and draw them as simple dark shapes. The trick with eyelashes is to simplify them. Notice how the shape of the lids changes as the eye moves. Since it is a convex form, as the cornea moves it will push the lids out. The tear duct is hidden at this angle since it is behind the eyeball.Īnother factor that will change the shape of the lids is the cornea. It is not centered between the lids, but is a bit lower towards the bottom lid.įrom the side, the shape resembles a triangle with the cornea poking out. The tear duct shape also adds some complexity. The top lid peaks closer to the nose, while the bottom lid peaks closer to the ear.
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